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Paris Street; Rainy Day

Gustave Caillebotte, 1877

Paris Street; Rainy Day by Gustave Caillebotte
Paris Street; Rainy Day, Gustave Caillebotte. Image: The Art Institute of Chicago, Public domain (CC0). Image file via Wikimedia Commons.

Gustave Caillebotte painted this in 1877. It shows a busy junction in Paris that was a short walk from his home. At 212 by 276 centimetres, it is his largest and most ambitious painting, and the Art Institute of Chicago says it has been a favourite there since the museum acquired it in 1964.

Two people in the foreground walk straight towards us, as if something outside the frame has caught their attention. The cropping, with figures cut off at the edge, may have been inspired by photography, which was becoming popular. There are no painted raindrops. Instead the weather is suggested by the umbrellas, which were newly available in a more convenient form, and by the soft reflections on the wet cobbles.

Caillebotte exhibited with the Impressionists and shared their interest in modern city life, but his technique here is smoother and more precise, closer to Realism. His reputation as an Impressionist grew long after his death.

What to look at. Look at the wet street. Find the reflections and the grey light, and notice how the whole scene is made to feel damp without any rain being painted.

From the museum record

ArtistGustave Caillebotte
Date1877
MediumOil on canvas
Size212.2 × 276.2 cm (83 1/2 × 108 3/4 in.)
MuseumThe Art Institute of Chicago
Credit lineCharles H. and Mary F. S. Worcester Collection
Accession number1964.336
LicencePublic domain (CC0)

Source: The Art Institute of Chicago collection record. Facts such as dates, sizes and credit lines come from that record. The write-up above was drafted with AI assistance and checked against the museum record and standard references. Spotted a mistake? Tell us.

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